I thought the Cohen brothers put too much humor into No Country.
Can Hollywood actually make a movie as dark as The Road actually is? Probably not without putting in some hokey ass joke stuff. Plus it really isnt exactly the ideal socio-economic climate to be releasing a film about people with nothing and no options either so expect to see way more hope than McCarthy gave it.
One more thing...All the Pretty Horses was a terrible adaptation of the book. They should have called it All the Corny Actors.
Agreed sixseven. I did enjoy the film version of No Country for Old Men. Some people are not readers, and the movie did the book enough justice for non-readers to appreciate the story.
As far as The Road goes, as a movie, there is grand potential for monotony of scenery, theme, unpalatable situations, and grayscale that audiences may not be able to tolerate. On a note about hope, though, McCarthy tends to express exuberant hope even in his darkest prose. It is not
his hope we are expected to understand, though; I think we, the readers, are supposed to project our own hope, either to pro-act or react in certain situations, that carries us through such dark places as The Road is apt to bring us.
The book starts out on even the most hopeful premise: that despite the apparent loss of all other life on the planet, or at least in the portion of North America where the man and his son are wandering, humans are alive and plodding onwards - not giving up or giving in, however horrific the existence of some might be. This signals that the survival instinct is still intact. The intelligence of the Father is evident, though possibly difficult to convey on film. The curiosity and compassion of the Son is also evident, and is eminently able to be conveyed on film. His thought for the well-being of the lone dog, his horror at the people chained for meat in the basement, his moment of giving thanks for the people who left the underground bounty that he and his father found - all are signals that hope for humanity is not lost despite the great challenges that might lie ahead of us.
I think perhaps McCarthy used dark prose and situations to foil the positive message of The Road. Just because some might fall into depravity does not mean all humanity will and ultimately snuff themselves out; there is hope in every action we take that does not directly harm life for the sole intention of deriving joy from the act of harm. That
becomes the means of our salvation.
Whether or not this can be expressed on film is beyond me. I am not an advanced student of either criticism or methodology as far as film is concerned. I am glad, though, that I have read the book, so I can make a more informed and appreciative critique of the film when it is released.